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Pieter Bos - Holland
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A
WORD ABOUT BRAZIL
By Pieter Bos
God's Troubadour -
The Corporate
Identity of Brasil |
Definition:
Personalities, including
corporate personalities like tribes, peoples, nations and cities, are
created in the image of God. "The CORPORATE IDENTITY (CI) of a
(corporate) personality is:
a. the expression of God's character in
that personality, because of which it contains
b. her destiny in God and
c. her redemptive gift to her fellow peoples; through the fall
and the effects thereof, this (corporate) identity has been distorted
and corrupted."
Each individual person of a certain people group reflects more or less the
CI of that group, be it the corrupted and the redeemed expression of
it; a substantial part of his individual personality is rooted in his
corporate personality.
God's character:
A Troubadour in European Middle
Age history is the person who is called into the royal court, in a
celebrative setting of the king with his
nobles and subjects, to tell, in a creative way, the history of the
nation:
a former king, the realm established or a covenant broken, a battle won or
a battle lost. The troubadour tells, in a celebrative setting, What Really
Happened. The troubadour, in a time of low literacy, has the important
role of Establishing The History Of The Nation From The King's
Perspective.
In this respect Jesus, as the
Living Word, the Word become Flesh, is really God's Troubadour, telling
the world the dramatic story of the Kingdom of God, the provision of
redemption through the cross, the battle against the kingdom of darkness
and the victory of the Kingdom of Heaven to be expected. It is unexpected
to picture Jesus as Troubadour. At the same time we should not picture
Jesus only in the serious, solemn role of Sacrificing his life, but also
as the Son of Man with a message of healing and liberation, of Life
Abundant and Eternal Joy.
The three main aspects of the
Troubadour are Playful, Dramatic and Sense of History.
Positive expression:
In the Church of Brazil,
especially in the comparatively young charismatic expression of it, the
joy, the playfulness and the dramatic are very clearly present. For
someone of the first world Brazilian worship times and prayer meetings are
a happening. Worship bands and lately also dance groups play a prominent
role in church life. Worship leaders of outstanding quality are many.
A typical and beautiful
expression of the CI of Brazil is the March for Jesus: the March for Jesus
in Brazil is by far the greatest in the world, attracting both in Rio de
Janeiro and Sao Paulo over a million participants, with a joy and
exuberance that seems to redeem the Carnival. It really expresses God's
Troubadour: joyfully and playfully telling about and showing Jesus to the
world!
In society:
As old as the figure of
Troubadour is for Europe, for Brazilians the Trovador is a well-known
figure in modern times. So well known, that a word of caution is
necessary. Especially in the North the figure of repentista is very
present: guitar players who are able to sing, without any preparation, any
story that is given to them. By calling Brazil God's Troubadour it must be
emphasized, that the emphasis is on God's Troubadour who tells "what
really happened", who tells what happened from God's perspective: the
redeemed version of the secular, contemporary Brazilian trovador or
repentista.
The positive expressions of
this Corporate Identity in Brazilian
society are many.
The opening sentences, in a
Dutch book on Brazil, of the chapter on "Culture" (p. 59, see
note) in Brazil say: ""There is a sense of nostalgia in
Brazilian culture... (The Brazilians) cling to traditions and mysticism...
Everywhere in Brazil is music." These opening sentences
precisely include the elements of playfulness, drama and sense of history.
Asked in many informal settings
what is specific and positive about Brazilians, always there comes out:
"joy, warmth, involved, always hope, evangelist with joy". In
the last two, always hope, evangelist with joy, surfaces the sense of
history.
The quite young (late sixties)
and very popular music style "tropicalia" is special in this
perspective: the lyrics deal with both romantic and political themes;
again: the historic element is prevalent.
Caetano Veloso and Maria Bethania are the hero's in this field. The poet
Vinicius de Moreas, the singer Artur Gilberto and the author Jorge Amado
are tremendously popular. Hero's in the political arena are: Tiradentos
and Padre Cicero of the beginning of the 20th century, both telling the
story of the (oppressed) people of Brazil, which made them hero's who were
accepted as leaders in political activism. Betinho de Sousa, who died in
1997, was a singer, called "the conscience of Brazil", as he was
the voice of the poor and suppressed, and the expression of poverty and
oppression.
Negative expressions: historically
and at present, in society:
1 Many forms of occultism are very,
very prevalent in Brazil, mixing
African and American Indian influences (also in forms incorporated in the
Roman Catholic Church). Occultismin Brazil is indeed playful and dramatic,
and suggests to give hold on history, but it is not God's history.
2 Sensuality and corruption
(sensuality for the women and corruption for the men) are very general in
the Brazilian way of life. Both have penetrated the church also. Both are
playful, and in a way dramatic, but both are irresponsible in the long
run.
3 Carnival and football are both a
national craze. Throughout the year there is constant attention for both,
as national industries. Not only during the yearly week of the carnival
but also during the irregular hours of soccer games the nation comes to
complete standstill, as if history should wait for these two highly
playful and dramatic events. The church of course is not involved in the
carnival, and some churches do outreaches during it. But the football and
the craze of it have penetrated the church; some call it a craze, but do
not pray or preach against it.
4 The telenovelas (television soap
series, since the eighties): three
or four telenovelas aired daily and simultaneously are watched "daily
by more than a hundred million, for their daily portion love, drama.. and
hot societal topics" (p. 68). Again, the elements of playful, drama
and history are strongly present. A new telenovela was announced on huge
billboards in June 1998, called "Tower of Babylon".
Each of these four corrupted
expressions of "God's Troubadour" are very typical for just
Brazil.
Concern:
The reason to mention these
four negative expressions is very specific. I sense that each of them is
very much contributing to the ongoing further corruption of the CI of the
nation. Each of them is not dealing with "what really happens",
with the true history that God is making, but with un-reality, with
vanity, with sentimentality. Each leads to adrenaline-addiction, rather
than to corporately taking responsibility for the truth and the truth to
be told to the world. Even stronger: the daily telenovelas are like the
daily drug, the regular national football matches are like a regular drug
and the yearly carnival is like a yearly drug, to further cover and shroud
the destiny, to corrupt the divine destiny of the nation to be God's
Troubadour.
The carnival is like a yearly
national sacrifice to not-God, football like a regular national sacrifice
to not-God (I am avoiding to name spirits that might be behind these
phenomena), the watching of telenovelas like a daily national sacrifice to
not-God. With so massive and widespread sacrifice of energy and time and
attention and expectation devoted to "other gods", the One True
God might very well withdraw as He did when Israel was following other
gods. The very existence and destiny of this beautiful people are at
stake: the present strong work of the Holy Spirit in the nation can be
quenched!
Testimony:
The first time I visited
Brazil, a ten day speaking tour in Sao Paulo in the fall of 1993, I joined
one of the street outreaches of YOUTH WITH A MISSION. It was through the
joyful worship and the playful presentation of the gospel message that I
felt the CI of Brasil to be God's Troubadour. My Brazilian host
immediately received it, but I did not dare to share it yet.
I continued discussions and
questions with Brazilian friends. Among others I taught in an
international class on cultural differences, attended by a
woman-missionary from Brazil. She responded hesitantly at my suggestion of
the CI for Brazil. But in the break time she came to me and told me,
asking whether this story might make sense to me, that back in Brazil she
had been reaching out to prostitutes, and especially to one whom God had
placed on her heart. The prostitute did not respond in any way. In the end
the missionary took her guitar and, though she was not a good guitar
player at all, sang and played the gospel to the prostitute. That evening
the prostitute accepted Jesus into her life. I think her testimony does
make sense.
It was only on my way to Brazil
in spring 1998 that I read about Brazil (see note). Speaking and talking
in Sao Paulo, Goiania, Uberlandia and Recife for almost three weeks I felt
confirmed over and over again, even to the point that I felt released by
the Lord to share my understanding as a word of the Lord in two large
audiences. The response again was confirming, including the following.
The way to the redemption of Brazil:
1). Redemption of music and dance.
Not just the laying down of sensuality, not even reaching academic and
artistic standards are the steps to redemption of music and dance. As
music and dance are so integral a part of the CI, both must completely be
focussed on pure worship. Because growth towards maturity requires others
to be allowed to speak into ones life, real redemption (of any cultural
aspect) can only happen in an international learning environment. Are the
Brazilian worshippers and dancers open, humble enough to together with
international Christians in this field to exercise a proces of redemption
of the arts?
2). Redemption of history, including two
testimonies. "What really happened" in Brasil is
shrouded by a false sense of humility. Historically the nation of Brasil
shows a pattern of suppression and suffering: the immigrants suppressed
the Native Americans; the rich suppressed the poor; the international
community tries to dictate what
Brazil should do with the Amazon and with her minerals. And this
lovely Troubadour allowed this to happen to him, without much self-defence
and "always hoping". The social activism against it was not
effective (and the activists nevertheless became hero's).
But Brasil needs to take time
to call her suffering suffering, to call her being robbed of reaching the
destiny being robbed of reaching the destiny. Only the church can play the
appropriate role here. Not through social activism, but through
representative confession/verbalising of the ALL THE SINS AND ALL THE
HURTS of the nation.
Brasil has not learned do deal
with her past. The Troubadour was
telling dramatic history, without dealing with his own dramas in history
in the way of the cross. Isa 42:22 applies: "This is a people
plundered and looted... There is no one to say: 'Give back'". The
role of the church is to say: "Give back!", to pray through the
pain and the guilt of the history of the nation with representatives
involved. (A paper on the Theology of Representative Confession of
Corporate Sins" is available.)
Two examples may help.
Part of my ministry is to
initiate representative confession of sins between my nation and my
continent and other nations and other continents. In 1995 I went to the
USA to confess the sin of slave trade, in 1997 to three West African
nations to do the same. So when in spring 1998 I was in Recife, a
Brazilian city with Dutch colonial and slave trade history, I was given an
opportunity in a congregation to give greetings, and I did the same. The
response simply was: "With the Dutch we would have been better off
than with the Portuguese." Several Brazilians gave independently the
same answer. The truth is, that the Dutch sins were sins; other pain can
not and should not cover that up. Brazilian friendliness and Portuguese
more serious sins can not cover that up.
The second example occurred
three days later. I was urged to come along to Olinda, north of Recife, to
take part in a representative prayer of reconciliation between Dutch,
Portuguese and Brazilian believers. I hesitated because of the above
experience, but was persuaded. We were nine Brazilians, one of Portuguese
decent, one of Indian decent, one of African decent, four of Pernambuco
(the state in which Olinda and Recife are located), two other Brazilians,
and one Dutchman, altogether 10 persons, six of whom were pastors, all of
whom were intercessors of different denominations, thus forming a minimal
representation of the whole international Body of Christ involved.
We stood in a circle before the
city hall of Olinda, in front of the plaque in the wall that describes the
battle between the Dutch and the Portuguese in 1630. We worshipped the
Lord. We thanked God for the good things he had done through the history
through the Dutch, through the Portuguese, through the Roman Catholic
Church. Then "Holland" started to confess of her sins against
the Indians and the Africans and the Portuguese. "Portugal" did
the same towards the Indians and the Africans and the Dutch, including
killing them off for the reason of bringing the gospel to Brasil (by far
the earliest Dutch example of combination of colonisation in combination
with a serious effort to evangelise the indigenous population). Then the
Indians, and the Africans made their confessions, and the Pernambucans,
and the other Brazilians, both being very specific in the area of all
sorts of occultism. Each party represented was as specific as possible in
content and direction of their confessions, kneeling for one another and
weeping before God. Each party made sure to verbally extend forgiveness to
any party that asked for it. God gave a flow of increasing spiritual and
emotional power. Then we went on, with our hands on the ground, to plead
with God for healing of the land, for restoration of the poor and the
spiritually and socially oppressed, for rain and fertility. Finally we
worshipped God again in song and reading scriptures.
All of us were amazed, without
being able to accurately indicate what had happened. Several told me that
they had waited and prayed for this to happen for many years. Only later,
already back in Holland but still "under the cloud" I sensed
that God was saying: "That little representation of the Church has
modelled the beginning of the redemption of the history of Brasil."
Another aspect of redeeming the
history of the nation is dealing with the corporate low self image; the
Brazilians feel inferior to Europeans and US-Americans. Because some
nations are created to be leader-type nations, like Spain *, England * and
the USA *, and because Brazil is, according to the secular way of
thinking, "only" a Troubadour, there is in the corporate flesh
the suggestion that other nations are better off, are to be higher
evaluated. This national sense of inferiority could develop because the
Brazilians are not secure in their Corporate Identity in Christ. If the
Church receives her Corporate Identity in Christ (whether it is God's
Troubadour or any other verbalisation of it) she can lead the nation out
of this deceptive lie of corporate low self image.
Again: because growth towards
maturity requires others to be allowed to speak into one's life, for real
redemption (of any cultural aspect) a requirement is an international
spiritual learning environment.
3). Confess and repent of the two national crazes.
The two national crazes of
Brazil are the carnival and the football. Also the church leaders I talked
to admitted that they were national crazes, concerning football more or
less with the shallow shame of a cigarette smoker who admits that he
should not smoke.
Concerning the Carnival: the
Church of Brazil should not only not participate in the craze of carnival,
not only reach out with the gospel during the craze, but repent, as united
and holy Church, for this national sin, as long as this craze continuous.
Redeeming the history of a nation is only possible if the Church of the
nation takes full responsibility for the sins of the nation.
Concerning the Football: As
long as the spiritual leaders of the nation give in that it concerns a
national craze, but do not explicitly repent and change their ways, the
Church is part of the problem rather than she is part of the solution. The
football achievement of Brazil could be a reason for national pride, if
not a craze around it holds the nation in bondage. The Church is God's
(only) tool to make corporate change. If The Church, Each Day The National
Football Team Plays, Would Fast, Fast Of Food And Of Television, And Pray,
and is happy to hear the result of the game the next day, she responds in
the opposite spirit. If the Church, united and holy, breaks out of the
craze, and repents in word and deed of this national sin and bondage, she
can break the power of the craze and will open the eyes of the other
Brazilians.
The Brazilian church should not
be fooled by the fact that an increasing number of players is Christian
and give their glory to Jesus. Beautiful football and than give the glory
to Jesus, that will redeem the sport of football, and that is great.
But the craze is not on the field, the craze is in the stands and in front
of the television, and it is there that the church has to play her part.
I was told that huge
financial interests are at work behind both dynamics. I am not surprised.
That's why the way of fasting and prayer is the way against and out.
4). Laying down childish things.
A Troubadour has something
childlike; the playfulness is the childlike aspect of the CI. However, in
the corrupted expression of the CI not only the childlikeness comes out,
but also a childishness. I saw the following sorts of childishness, or:
irresponsibility typical for immature behaviour of a young person.
A Troubadour is a talker and
singer, rather than a listener, focussed on dramatic content rather than
on organisational details. Brazilians are poor listeners and poor in
communicating details. This is of course an observation made by
foreigners, and not a nice one to Brazilian ears. It is childish, in the
meaning of immature irresponsibility, to wave this away with "Well,
this is how the Brazilians
are".
Being late and then allowing
meetings to be prolonged, as a habit, cannot be justified by suggesting
that the Holy Spirit should have His way. That is close to blaming the
Holy Spirit for Brazilian childishness. Starting an action, big or small,
and not finishing it, is irresponsible. It is childish, in the meaning of
immature irresponsibility, to wave this away with "Well, this is how
the Brazilians are".
Sensuality and corruption are
in the same manner childish; both only give a thrill at the moment, but
are irresponsible in the long run, and both are a way of cheating the
other, not taking responsibility for the wellbeing of the other. Let each
Christian woman find two female prayer partners to together consider and
pray through their way of behaviour and dressing; let each Christian
(business-)man find two male prayer partners to together consider and pray
through their thought life and way of business. In other words, let the
Christian men and women covenant themselves to change their ways, for on
their own they cannot change them, as they are so much "how the
Brazilians are". The Church, in its smallest expression of two or
three, is God's means of liberating first the Church, and so the nation,
from this bondage.
This refers also to watching
television. Let parents together develop an approach of selective
watching, first themselves, then also their children, and discussung the
(lack of) truthfulness, (lack) of responsibility in what theu saw. A whole
nation is at stake, a whole generation is fed with junk and blocked of her
destiny, or will be saved and rise to the challenge of her calling
Again, and even stronger
than in the earlier cases, because growth towards maturity requires others
to be allowed to speak into ones life, real redemption (of any cultural
aspect) can only happen in an international spiritual learning
environment.
5). The calling of Brasil, to BE GOD'S TROUBADOUR
TO THE WORLD.
Why did God make Israel so
special? To show the world His character as a whole. Why did God Russia so
big? Because he wanted to show the world Glorious Rulership, Teacher
Kingship *. Why did God make the USA so big? To show the whole world
Adventurous Leadership *.
And why did God make his Virgin
Daughter Brazil so big? Because He planned through this Troubadour to
joyfully tell the whole world the drama of what really happened and what
is going to happen! In few other cases there is such an immediate step
from Corporate Identity to Redemptive Gift as in the case of Brazil. There
are other not-leader nations that suffer from a corporate low self image.
But Brazil is big and rich, and with an awesome calling: to joyfully
spread the gospel over the whole world.
This is not a statement to
please the nation, after the admonishments above. Rather it is another
warning: obviously the enemy of the nations is forcefully trying to block
off Brazil from her calling, through a thorough plan of systematic, daily
further corruption of the CI. The calling of Brazil is conditional; the
fulfilment of it, so that she will "tell the world what really
happens" can only take place if the Church of Brazil rises to the
challenge to be God's means of redemption for her nation.
Will Brazil be known by the
world as the nation of the macumba, the wild carnival and the soccer
achievements? Will she continue to suffer from a corporate low self image?
Or will Brazil be known by the world as a nation where the Church rules
with Christ, through prayer, and so effects her nation and many other
nations.
In my growing list of CI's of
nations there is none as close to "evangelist" as Brazil's. And
Brazil is a big nation, for God's good reason.
Source Revival42day News at www.inthenameofjesus.org
and www.gonations.org
Reproduction is permitted
as long as source and acknowledgement remains intact with the text.

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